Thursday.net Biography:
Few bands perfect their art the first time out. In fact, many spend their careers trying to get 'it' just right. Sometimes it works; sometimes, it’s futile. Other bands deliver their best effort in the form of their first album, yet nothing lives up to the initial blast. In Thursday’s case, the quintet was satisfied that they accomplished their musical goals on their first two albums. But rather than rest upon past glory and remake the same albums, Thursday, in effort to expand beyond its rather prolific past, poured everything into their Island Records debut, War All The Time. Thanks to the album’s challenging music, Thursday has gotten it right, again.

'A lot of what we do is about our youth, and the burn of being a certain age. These are snapshots that can never be taken again,' admits wiry frontman Geoff Rickly, whose slight build belies the full breadth of his passionate, intense delivery.

While Thursday’s music obviously appeals to younger generations, this is a band of old souls inhabiting young bodies, and thus, the music speaks to many audiences. This New Brunswick, NJ-based band was born of a love for music and basement punk rock shows, the culmination of a pair of high school friends who met their future bandmates at shows. The individual members were raised on left of center hardcore, which couples with Rickly’s appreciation for dark pop and 80’s British new-wave acts like The Smiths and The Cure. Thursday’s music shimmers with sincerity, but this is a troupe that will spontaneously quote lyrics of their hardcore faves in mid-conversation.

Thursday’s career kicked off when indie label Eyeball Records took notice of the band and released their debut, Waiting, in 1999. The breath-taking Full Collapse was released in the spring of 2001 through Chicago’s Victory Records, with little fanfare from press and commercial radio, at first. But constant touring of the U.S., alongside acts like Sparta, Boy Sets Fire, and Saves The Day, created incredible word of mouth. Soon, Thursday’s stuffed-to-capacity shows became known as communal dialogues between an increasingly confident band and an ever-growing audience. This constant touring, including a plum spot on the main stage of the 2002 edition of Warped Tour, coupled with specialty radio and MTV2 support for the single 'Understanding In A Car Crash' led Full Collapse to sell over 230,000 copies domestically.

Amidst this critical and commercial flurry, the band eventually signed to Island Records, and immediately started writing War All The Time. Thursday hunkered down, and wrote vigorously over the Christmas holidays. The band admits that during the writing process, a Sonic Youth/Godspeed You Black Emperor! style of guitar work evolved in their music. The band chose to keep tradition and to record once again with longtime producer Sal Villanueva and mixer Rumble Fish, who manned the boards for Waiting and Full Collapse.

War All The Time was not an easy album to make, but as with any worthwhile endeavor in life, the more work you put into it, the more it is appreciated. 'We took a ton of chances - we’re at the 180 right now. I was sleeping at the studio,' Rickly admits. 'It was such a long process that at one point I thought 'is this record meant to happen?' Then, we played the songs back, and fell in love with them. While much of our previous work has been personal, this album doesn’t look back in the past tense, at what had happened, but at things still going on in the present tense. It’s not about closure or after the fact. It’s about figuring it out while it’s going on. The songs are tangled up in the process of living events now. And this is the first record we made knowing we want to do this for the rest of our lives, as musicians and writers.' Guitarist Steve Pedulla recalls a bit of nervousness about the band’s future at the time. 'I asked myself: Do we have it in us to do something better? I came to the conclusion that we did. If we didn’t, there would be no reason to keep doing music.'

Rickly continues, 'The heart of what we do is loud, fast chaos, alongside pretty music with different ranges of feeling. For me, I wanted to engage songwriting from a more narrative perspective while still remaining personal. I didn’t want to be as obscure, where you could take things a million different ways.'

The specific War All The Time is not a political statement about bombs dropping from the sky, but of friction in relating to others. 'Everything you do is conflict,' chimes in Pedulla.

Thursday’s music is push and pull, tension and release, and sing-scream harmonies, with the songs functioning as modes of communication, where the band and its listeners exchange thoughts and feelings through the vibrations of the instruments and the lyrics. Regarding the songwriting for War All The Time, Rickly was focused on 'marrying melody more to what I am saying. I wanted to be more visual, chaotic and noisy.' With this vision, Rickly’s artful lyrics take on more of a folk-writer/storyteller personality and he takes listeners on a vivid journey with him.

On the total loss vs. fulfillment anthem 'Between Rupture And Rapture,' Rickly recounts a childhood friend’s suicide, and concentrates on being lost and confused, 'where everything feels temporary, and as a child, I thought love would fill the void and save the day, but as I get older, I doubt that more.' The crushingly pretty 'Signals Over The Air' examines human sexuality, and Rickly expounds, saying 'In our culture, gender and sexuality identity is hidden or can be used to alienate you, instead of being the natural pure thing that it was meant to be. It’s like our version of PJ Harvey’s Mansize.'

On 'Asleep In The Chapel,' which questions faith in anything, the compelling title track, which references the growing pains of life, and the urgent look at dehumanization in 'For The Workforce Drowning,' (which will also be issued as a seven inch), Rickly places you in the story, right alongside him and you are challenged through Thursday’s honest, creative songcraft. While the songs are indeed complex, squalling with harmonic distortion and thick with leaden breakdowns, they are still digestible. They just require and ultimately demand your full thought and attention while listening. This is hardly. background music.

Says drummer Tucker Rule, 'The new songs are hard for us to play. I love the way it turned out, but I have to get excited to play them live because they are so difficult.' Guitarist Tom Keeley finishes, 'The melodies won’t hit you over the head. There’s still the release of anxiety and the subsequent celebration.' Thursday intentionally compressed its songs, to which Rickly explains, 'We squeezed songs together and made them faster, with just as many parts that do as many different things, but are more explosive.

War All The Time is at once dense and redemptive. The metaphors, the stories, the melodies, and the breakdowns are skillfully, beautifully crafted. To win fans over with honest, youth-directed music is easy. To keep them is the challenge. With War All The Time, this won’t be a problem.

-Amy Sciarretto


Fullcollapse.com Biography:
What is it about New Jersey?

There must be something in the water; it seems that all of the freshest new bands have been budding from the famous Garden State. Victory has picked the cream of the crop with their latest addition to the family, Thursday. They are an innovative young band that is helping to inspire and motivate a new generation of music listeners. Their fresh-faced attitude brings a refreshing outlook towards the sometimes-tired sounds of hardcore. These New Brunswick, NJ natives have been making waves since the very start and will continue to turn heads and awaken new ideas in hardcore today and for years to come.

The band began as a closely-knit group of friends who channeled those unbreakable bonds into not only an idea, but also a sound. They started out playing shows in basements and garages for anyone who would listen. Very early in their career they were able to play with illustrious bands such as, At the Drive In, Boy Sets Fire, and Hot Water Music. Over the past two years their hard work and perseverance have built them a steadfast following. Their debut release, "Waiting" on New York based, Eyeball Records brought about the attention of leading independent label Victory Records. Instantly, Victory had the insight to realize the potential this band held. Thursday was quickly signed and put in the studio to record their Victory debut, "Full Collapse."

With their latest release "Full Collapse," Thursday have created a sound that is unparalleled and unequivocally their own. Although still a young band, they write with the sincerity and insight of a band twice their age. Their music is a cathartic whirlwind of rhythmic melodies and heart stopping time changes that are unified amongst lulling vocal harmonies and besieging wails. Thursday can mesmerize their audiences in a way no other band in recent memory has been able to do. Undaunted by the toils of the music industry; Thursday brings a vibrant outlook to new music. "Full Collapse" is a beautiful movement of art and music. The listener is easily lulled into submission by the soothing guitars and hushed, supple vocals. Thundering guitar chugs and hair pulling screams jackknife any false sense of comfort. All of these turbulent twists and turns leave their listeners breathless and begging for more. Thursday's music has an effect on its listeners; it not only moves them on a musical level, but it conjures up feelings and emotions that can only be captured through sincere music that comes from the outpouring of a dismal heart.

On the brink of a blossoming career, Thursday is charging ahead, full-force, ready to tour non-stop until the end of 2001 and beyond in support of "Full Collapse." With the release of this record and a video debut on the horizon for them, the road ahead looks promising; the possibilities are endless.


Older Biography:
Standing in a crowded room; you are but a shadow among flailing arms and a swarm unfamiliar faces. You feel like a stranger, but there is an under lying force that connects everyone in the room. Recollections of loss, despair, and the tribulations of just making it to the next day consume your thoughts. Only a band as emotionally charged and inspiring as Thursday can bring out these deeply seeded feelings.

New Brunswick, NJ's Thursday have been evoking intense passions in people for almost two years. The band began as a closely-knit group of friends who channeled those unbreakable bonds into not only an idea, but also an unparalleled sound that sets Thursday apart from all other bands.

Thursday's guitarists; Tom Keely and Steve Pedula blend crunchy melancholic guitar riffs with Tim Payne's charming bass lines and Tucker Rule's multifaceted drum rhythms that unify to lay the groundwork to Thursday's unique sound. Geoff Rickly then adds a turbulent storm of passionate vocal harmonies that without warning spark into a dervish of hair pulling screams that only a band as dexterous as Thursday can create.

Thursday got their start playing cramped shows in the legendary basement of 331 Somerset St. in the heart of New Brunswick, NJ. They set up their own DIY shows that brought about the likes of bands such as At the Drive In, Hot Water Music and many other bands that helped to get them shows along the East Cast.

Local New York City label, Eyeball Records picked them up in 1998 and released their first full-length release, "Waiting" shortly after they were signed. "Waiting" was met with an astounding response. This debut release made enough noise to catch the eye of leading independent label, Victory Records.